The Perfect Neighbor — Review

The Perfect Neighbor almost feels like the antithesis of Errol Morris’ The Thin Blue Line, but it’s equally groundbreaking. Where The Thin Blue Line pushed the boundaries of documentary filmmaking through its stylized re-enactments and interview structure, adding dramatization to the documentary format, Geeta Gandbhir strips that away and experiments with the genre by constructing her film almost entirely out of police body cam footage. This decision is both bold and effective, grounding the viewer directly in the moment. It destabilizes the comfortable distance that audiences are often afforded in true crime narratives, forcing us to feel as if we’re witnessing the events in real time.