It’s been 12 years since Gregg Araki’s last film, White Bird in a Blizzard (2014), a work that felt only faintly recognizable as a Gregg Araki picture. I Want Your Sex not only serves as his first feature since then, but also marks a major return to form for the auteur. It’s refreshing to see a movie with Araki’s signature style on the big screen in 2026, and equally refreshing to see a film embrace horniness and sexuality with such unapologetic enthusiasm. It’s as if Gregg Araki heard the discourse about how Gen Z wants less sex in movies and TV and decided to push back. With I Want Your Sex, he seems to be shouting from the rooftops that there’s nothing wrong with being horny and that we need to make movies sexual again.

Olivia Wilde’s The Invite is the type of film Sundance seems designed to champion: an intimate, character-driven dramedy that feels small in scale but big in emotional honesty, a film that will likely be one of this year’s hidden gems. This remake of Cesc Gay's The People Upstairs leans less on punchlines and more on meaningful conversations about sex and marriage. With a sharp, perceptive script from Reshida Jones and Will McCormack, The Invite is the type of thought-provoking, uncomfortably relatable film that holds a mirror up to the audience, gently pushing viewers to reflect on their own relationships.