Robert Pattinson’s vocal work is one of the most compelling aspects of his acting career. Whether adopting a different accent or leaning into a strange, deliberate cadence, he treats his voice as a key instrument for building distinct characters. In Lance Oppenheim’s Primetime, he uses that instrument with remarkable precision as Chris Hansen, the host of Dateline NBC’s To Catch a Predator.

The most ironic thing about the reaction to Christopher Nolan's The Odyssey is that so many people are treating Nolan like a god when one of the film's most significant lines is Odysseus' warning: "Don't look for gods in men; you'll just be disappointed." For years, it has felt as though audiences have placed Nolan on a pedestal. Elevating any filmmaker to that status ultimately does a disservice not only to the artist, but also to ourselves, because it discourages us from engaging with their work critically. Prior to seeing the film, I came across early reactions that hailed The Odyssey as one of the greatest films ever made, as if we were witnessing cinematic history in real time. To be fair, the film does represent a substantial technical achievement as the first feature film shot entirely on IMAX film cameras. However, that accomplishment alone does not make it a masterpiece. While people are entitled to their opinions, I disagree with the hyperbole surrounding the film. The highest praise I would award Nolan's adaptation is that it may be one of the best versions of Homer's The Odyssey ever brought to the screen. That said, I suspect I would have been more impressed by Nolan's film if I were less familiar with Homer's epic.

Spoiler-free video review of Kristoffer Borgli’s film The Drama starring Zendaya and Robert Pattinson.