The Piano Accident — Fantastic Fest Review
Source: Diaphana Distribution
Quentin Dupieux’s irreverent, brash sense of humor is almost certainly an acquired taste. Known for his offbeat and audacious storytelling, Dupieux has carved out a niche for himself in the world of absurdist cinema. But his quirky style may not be for everyone. With The Piano Accident, he turns his surrealist lens toward social media and influencer culture, providing the perfect opportunity for satire.
In concept, it’s a promising setup. The film echoes the sharp, biting commentaries of recent titles, including Kristoffer Borgli’s Sick of Myself (2022) and Radu Jude’s Do Not Expect Too Much from the End of the World (2023). Both of those films tackled online personas, digital narcissism, and the performative nature of modern life. And although The Piano Accident seeks to do the same, it never quite lives up to its potential.
While the premise is intriguing and timely, the execution feels uneven. Much of the humor falls short, and the film ultimately struggles to offer anything particularly fresh or insightful about its subject matter. It offers surface-level critique and satire but doesn’t dig deep enough to leave a lasting impression.
Source: Diaphana Distribution
Visually, The Piano Accident plays it surprisingly safe. The cinematography is competent but unremarkable, lacking the kind of bold visual choices that could have elevated its satire or matched the eccentricity of its premise. Given Dupieux's reputation for off-kilter storytelling, it's disappointing that the film doesn't take more risks with its technical execution. The framing, lighting, and overall visual style feel restrained, missing an opportunity to enhance the film’s commentary through both form and content.
That said, Adèle Exarchopoulos delivers a standout performance. Her commitment to the role brings some much-needed grounding to an otherwise fragmented narrative. She’s nearly unrecognizable, and it’s not just due to her hair and makeup. It’s also her physicality, mannerisms, and speech. It’s a striking departure from her previous work. She’s never come across as this unlikable before, and that’s entirely by design. Her ability to fully inhabit such an insufferable character is a testament to her range and control as an actor.
In the end, The Piano Accident is another Dupieux film that may divide audiences. Fans of his style may find moments to appreciate. But for others, the film's lack of sharp commentary and hit-or-miss humor may leave them wanting more.
The Piano Accident screens at Fantastic Fest September 18-22, 2025.
