With his feature directorial debut, Cam (2018), director Daniel Goldhaber, along with screenwriter Isa Mazzei, incisively interrogated our relationship to technology and violence. With his sophomore feature, How to Blow Up a Pipeline (2022), Goldhaber demonstrated his ability to craft a suspenseful and stress-inducing thriller that relentlessly ramps up the tension. Now, with Faces of Death, Goldhaber has reunited with Mazzei and combined the greatest strengths of his previous films into a chilling, confrontational work about digital-age anxieties.

Arguably the most famous piece of writing advice is to “write what you know,” and writer-director Chandler Levack’s filmography exemplifies its efficacy. Her feature directorial debut, I Like Movies (2022), was partially inspired by her experience working at a video rental store as a teenager. Now, her sophomore feature, Mile End Kicks, draws from her time working as a music critic. There’s an undeniable passion for music that permeates the film, mirroring the admiration for cinema that runs throughout I Like Movies, which makes the two works feel thematically aligned. In fact, Mile End Kicks feels like the perfect companion to I Like Movies; during a Q&A, Levack even joked that she could have titled it I Like Music instead. By grounding her work in personal experience and distinct cultural moments, Levack successfully crafts films that feel astutely authentic and lived-in.

Video review of tracie Laymon's film Bob Trevino Likes It starring Barbie Ferreira and John Leguizamo