Pixar is certainly no stranger to films about human beings turning into animals. In fact, between Brave (2012), Soul (2020), and Turning Red (2022), it seems to be a pretty prevalent theme. And after introducing technology in Up (2009) that allowed humans to understand what a dog was thinking, a movie where someone can literally experience life as an animal feels like a logical next step. As much as Hoppers fits perfectly within Pixar’s wheelhouse, it might also be their most absurd film yet. Thankfully, that absurdity works entirely in its favor.

Before stepping into the theater to see James Cameron’s Avatar: Fire and Ash, I joked that the movie would be “just like the last one but with fire instead of water,” and that the next installment would simply rotate in another element. And, truth be told, I wasn’t that far off. How much you love the previous Avatar movies will probably determine how much you enjoy this one. So, full disclosure: I’m a fan of James Cameron, and I trust his vision, but the Avatar films have always been my least favorite of his works. That said, Fire and Ash possessed the potential to be my favorite entry so far.